FPIC, international law, social space, and indigenous territories in FPIC during extractive projects in Latin America. A romantic or tragic story?
DOI:
https://doi.org/10.51306/ioasarance.048.02Keywords:
FPIC, ethnic-environmental conflicts, extractivism, Human RightsAbstract
The development and implementation of the free, prior, and informed consent (FPIC) can be understood both as a “romantic” and “tragic” story, using a sharp reflection made by Susan Marks (2012) regarding Human Rights. Following this idea, this essay intends to analyse the main developments of FPIC international human rights in the last three decades (the successful story) and the clear and strong limitations of its use in Latin America (the tragic side to it). Despite the fact that the romantic narrative tells us about a progressive recognition and protection of indigenous rights in international law, especially with instruments such as the ILO Convention 169 (ILO-C169) and the United Nations Declaration of the Rights of Indigenous Peoples (UNDRIP), these advances have been and are currently deactivated. Through the revision of postcolonial literature and an analysis of relevant research in Latin America, this essay explains how the supposed progress is clearly limited by imbalances in the history of international law itself and in the territorial governance system that is configured in large-scale extractive projects, where FPIC is applied or not. In this manner, despite apparently overcoming colonial times against indigenous peoples, the permanent structure of neo-colonization of indigenous territory prevails for an ever-growing global market.
Downloads

Published
Issue
Section
License
Copyright (c) 2022 Instituto Otavaleño de Antropología

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Todos los artículos de la Revista Sarance son de acceso abierto y se encuentran bajo licencia Creative Commons (Atribución-NoComercial, CC BY-NC-SA), que permite a los usuarios acceder, distribuir y usar el material, con fines no comerciales , siempre y cuando se otorgue la atribución al creador, bajo la misma licencia del original.
Los autores y autoras conservan los derechos de autor y ceden a la revista el derecho de la primera publicación. Los autores y autoras pueden republicar su trabajo en otro espacio siempre y cuando soliciten una autorización a la Revista Sarance e indiquen que fuera publicado allí la primera vez.
La Revista Sarance no aplica ninguna tarifa para ninguno de sus procesos.