Approach to the Chirimía

Abstract

The article addresses the Chirimía, a traditional Ecuadorian musical instrument with deep historical and cultural roots. Despite its relevance in the country's musical heritage, the Chirimía has been the subject of few academic studies. The article explores various definitions and concepts about the Chirimía, including its origin in Old French as "caramillo" and its characteristics as a double-reed wind instrument, similar to the oboe. Its presence in Colombia is examined, where it is associated with a specific musical ensemble. In Ecuador, the Chirimía is found in the provinces of Azuay and Cañar, playing a crucial role in popular and religious festivities. The research highlights its function in the rural setting, in contexts of celebrations such as Holy Week and traditional festivals. The study underlines the importance of preserving and understanding this instrument within its sociocultural context to ensure the continuity of the Ecuadorian musical tradition.