The fandango at private parties in the indigenous people of Otavalo-Ecuador

Abstract

Between January and May 1987, I conducted research on the music of the indigenous people of Otavalo, Ecuador, under the direction of Carlos Coba Andrade of the Otavaleño Institute of Anthropology and Bernard J. Broere from Holland. My study focused on the musical pieces played at traditional festivals such as the Casa Nueva, the Matrimonio, the Velorio, and the Wawa Velorio, with special emphasis on the fandango, a typical piece exclusive to these events. I participated in one Casa Nueva and two Matrimonios, observing the importance of the fandango in these celebrations. Otavalo, located in the Andes of northern Ecuador, presents a resilient indigenous community that has integrated agriculture and crafts for its subsistence. The "minga" system, based on reciprocal aid, is crucial in the construction of houses and in the associated festivities, although it faces challenges due to the influence of evangelical societies that prohibit the use of alcohol and dance. This study offers a detailed view of the relationship between music, tradition and community in Otavalo.