El surgimiento de la etnografía multiespecie
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etnografía multiespecie
estudios animales
naturaleza/cultura
bioarte multispecies ethnography
animal studies
nature/culture
bioart

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Kirksey, E. ., & Helmreich, S. (2024). El surgimiento de la etnografía multiespecie. Revista Sarance, (52), 10-42. https://doi.org/10.51306/ioasarance.052.02

Resumen

Los antropólogos se han dedicado, al menos desde Franz Boas, a investigar las relaciones entre la naturaleza y la cultura. En los albores del siglo XXI, este perdurable interés se ha visto influido por algunos giros nuevos. Una cohorte emergente de "etnógrafos multiespecie" empezó a hacer hincapié en la subjetividad y la agencia de los organismos cuyas vidas están intricadas con las de los humanos. La etnografía multiespecie surgió en la intersección de tres ejes interdisciplinarios de investigación: los estudios medioambientales, los estudios sobre ciencia y ciencia y la tecnología (CTS) y los estudios sobre animales. Partiendo de temas etnobiológicos clásicos, plantas útiles y animales carismáticos, los etnógrafos multiespecie también incorporaron organismos poco estudiados –como insectos, hongos y microbios– a los debates antropológicos. Los antropólogos se reunieron en el Salón Multiespecie, una exposición de arte, donde se exploraron los límites de una interdisciplina emergente en medio de una colección de organismos vivos, artefactos de las ciencias biológicas, y sorprendentes intervenciones biopolíticas sorprendentes.

https://doi.org/10.51306/ioasarance.052.02
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